Mostrar mensagens com a etiqueta EdP. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta EdP. Mostrar todas as mensagens

quarta-feira, 13 de junho de 2018

[EdP078] Ana Carvalho - Earthquake Detector




“O detector de terramotos (earthquake detector) não é uma ideia minha. Alguém disse a frase e eu, por via de apropriação, dei-lhe novos significados. A audiência talvez encontre algo escutado, dito, visto anteriormente. Por fim, acrescentarei, que utilizei, no processo, uma técnica de colagem de livre combinação (de textos, filmes, música, conversas com pessoas conhecidas e desconhecidas, na rua, no café, pelo Skype e email, bem como conferências sobre ufologia, tecnologia e consciência e ainda numa visita ao veterinário).”
– Ana Carvalho

sábado, 9 de janeiro de 2016

[EdP076] Jim And The Galaxy - Cosmic Conspiracies

João and João have been playing together since the early nineties. First in a death metal band, then in a covers band, now in a quartet, always taking it as heavily or lightly as possible.
Jim And The Galaxy was their first incursion as a duo - then electric bass, double bass, fx and magnetic tape - when a collective of friends commissioned a piece for a special evening.
Now, probably 20 years after, the first recording of a "live at home" session (no overdubs!) is released as the corollary of the many musical experiences they've had throughout the years.
Plain and simple, straight to the point and laid-back.

João Santos: electric bass, fx;
João Ricardo: electric guitar, fx.


Graphic design by Shutupandance!























segunda-feira, 27 de julho de 2015

[EdP075] Ryukau - Bishou

In line with the electronic music pioneers' work of yesteryear, Ryukau's Bishou presents the future today.
Stimulating and playful synthesis granted to set your mind ablaze!


sexta-feira, 10 de julho de 2015

[EdP074] BITCHO - Bomba


BITCHO é um projecto performativo/musical centrado numa figura ambígua meio ancestral com um híbrido folk.

Parte da reflexão sobre o hoje e dá corpo ao animal feminino. É um projecto que se encontra em constante mutação nos seus vários âmbitos o sonoro, o textual, o performático, o imagético, jogando com uma multiplicidade de influências.

Bomba é a recolha de alguns dos temas que são trabalhados ao vivo com uma forte componente visual. Foi concebido por Susana Chiocca, em colaboração com Sílvio Almeida.

Voz: Susana Chiocca
Música: Sílvio Almeida
Poema "Preparatórios": Luca Argel

@Archive.org

quarta-feira, 6 de maio de 2015

[EdP073] (dell​.​tree) + Metek - Lisergic Weird Funk

This collaboration between Brazilian (dell.tree) and Swedish Fredrik Nilsson Metek combines elements of two very different cultures into a sonic mishmash. Tropical sci-fi for the adventurous crowd (if you ask me)!



quarta-feira, 11 de março de 2015

[EdP072] Mers - Click Pussy



Controversial producer of the 21st century. A visionary, known for his sod-cutting construction building in electronic music, aleatory composition and sound space.
Follower of the Darmstadt School, his early student compositions remained out of the public eye until the conjunction music experience resolved in the debut album “unsound noisy glitch”.
Mers describes music written in an uncompromising transethnic style with a mixture of recognizable genres.

sexta-feira, 23 de janeiro de 2015

EdP070 - The Golden Bough + EdP071 - From Ritual to Romance (double compilation)

Et Quid Amabo Nisi Quod Aenigma Est?

Die Elektrischen Vorspiele, a blog founded on January 15 2009, and whose sixth anniversary is commemorated with this release, was envisioned as a space for the nurturing of a “savage thought” (that is, of an undisciplined nature). In its essence, and as an individual project, it aims mostly to be a vehicle for its author’s vast-reaching interests, while at the same time harnessing them into some form of discipline. More than just a reflection on the fascination caused by the themes implicit to its lexical field of action, as shown by the coordinates and key concepts that define the boundaries of its territory, i.e. “Occultism” / “Esotericism”, this virtual space mainly maps some of the topologies enclosed in the History of Ideas. A vast and sometimes ignored area of Knowledge, whose apparently paradoxical character drives a magnetic pull towards the need to identify its true nature, as ubiquitously manifested along various historical cycles, in an unending drama staged in the theatre of the Anima Mundi. This is, in fact, the true raison d’être of Die Elektrischen Vorspiele.
As a direct result of its existence, November 2010 saw the publication of the book “Summa Techno(i)logicae”. This work, as implied by its title, is a thoroughly compiled and systematised patchwork reflecting the interests that guide its author’s research. From then on, periodic collaborations with other projects ensued, such as the magazines Finis Mundi, Infernus and Antibothis.
Still under the aegis of Die Elektrischen Vorspiele, and always through the establishment of complicities and connections, a number of events were created and carried out in the past six years. This set of actions (with Music as a constant common denominator) has had as its main goal the evocation of the life and work of various figures that have left behind crucial legacies. The people celebrated include the musician John Balance (Coil); the historian of religions Mircea Eliade; the poet and theatre director Antonin Artaud; the philosopher Georges Bataille; and the Japanese writer Yukio Mishima. It is also worth mentioning the series of events spanning along the year 2013, Occult Esoterica AV Gatherings, curated in collaboration with intermedia artist Ana Carvalho.
The proposal made to EdP – Editora do Porto (in the person of its administrator, João Ricardo) for the release of this compilation emerges as a consequence of shared common cosmologies which have gradually been transmuted into friendship, and also of João Ricardo’s encyclopaedic musical knowledge, while the invitations made to the artists taking part in it are the logical result of a chaining together of elective affinities (a process permanently taking place since the first Homeric dawn).

Júlio Mendes Rodrigo
Porto, December 23, anno 2014, era vulgaris

Concept: Die Elektrischen Vorspiele & EdP – Editora do Porto
Graphic Design: David Matos (Shutupandance)
Liner notes translation: Filipe Silva

























EdP070 - The Golden Bough


Albrecht Loops – Tarso

Augen – Lull Media

Cotton Ferox – Temporarily Shamanic

ocp – operador de cabine polivalente – Pluma

Stealing Orchestra – Böcklin's Isle Of The Dead

Iurta – Neurostasis

f a n t a s m a – Cometa 67P/CG

Two White Monsters Around A Round Table – The CaveV1


In WAVE/FLAC/OGG format
























EdP071 - From Ritual to Romance


Angélica V. Salvi – Atalayas

João Pais Filipe – The Wheel

Kanukanakina –Obsoleto Modo

AC // HHY – FOME

Nova Orquestra Futurista do Porto – Tex.Vid.Par.2

HystericalOneManOrchestra – Eight Thirds Or Approximately Two Six Six Six

Evil Schmidt – Hate Is Our Top Priority

Terra Oca – La Lune

Sturqen – Hirito

Thee UM Rev Al L Aguero – William S. Burroughs Invocation

Walt Thisney – Nightcrawler

Marc Hurtado – Unis

Val Denham (with Farmacia) – Apollo

Harpoemacto – Lava


In WAVE/FLAC/OGG format




GRATIA (by alphabetical order):
Alberto Lopes, Alrucini, Ana Carvalho, André Coelho, Angélica V. Salvi, Caos, Carl Abrahamsson, Carla Filipe, César Rodrigues, David Arantes, David Matos, Fernando Cerqueira, Filipe Silva, Gabi von Dub,
Henrique Fernandes, J. A., Jean-Baptiste Bayle, João Guimarães,
João Mascarenhas, João Pais Filipe, João Ricardo, Jonathan Uliel Saldanha, José Pedro Carvalho, Manuel dos Reis, Marc Hurtado, Miguel Pipa,
Nuno Marques Pinto, Pedro Centeno, Pedro Salvado Santos, Rafael Cortés, Sigil, Thee UM Rev Al L Aguero, Thomas Tibert, Val Denham.

domingo, 14 de dezembro de 2014

[EdP069] Lara Pearl - medial age /// / algo como era medial
























medial ages - Live A/V Audiovisual Performance & Installation

It is influenced by theories of postmodernism, post-colonialism, relies in the aesthetics of noise, it is supported by cybernetics and the relations between Art, Science and Technology. It is influenced by Political Art, Activism, Hacktivism, Human Rights and Policies of Heritage.

DIY Installation: Synthesizers: DIY Oscillators, 555 Synthrotek Time Oscillator, Arduino Potentiometers. Control 9V input and transform it into sound.

segunda-feira, 28 de julho de 2014

[EdP067] Boiar - Sete Bóias A Boiar Ao Sábado

Peça concebida propositadamente para radiodifusão n’O Arranca Corações.

Este trabalho pretende agarrar o ouvinte para um desafio simples que poderá realizar a partir dum qualquer ponto sonoro exposto; conseguir o auditor desenvolver uma superconsciência auditiva que o leve a emigrar para fora do tempo/espaço usando como meio para tal fim a multiplicidade das formas auditivas expressas. Quanto mais se deixar absorver por elas mais depressa apreende o fluxo e o refluxo das ondas sonoras em presença, assim como a unidade intrínseca destas no todo consciente (superconsciente), a isto chama-se Boiar. Arte nobre hoje em dia quase esquecida e pouco praticada.

***********************

This work intends to grab the listener for a simple challenge that (s)he will be able to carry out from any exposed sound point; getting the listener to develop a superconsciousness hearing (awareness) that will lead her/him to emigrate out of time/space, using as a means to this end the multiplicity of hearing expressed forms. The more we let ourselves be absorbed by them the quicker we'll apprehend the flow and reflow of the existing sound waves, as well as their intrinsic unity in the conscious whole, this is called Boiar, (Boiar is not "to Float"; Boiar is much more than simply floating). Noble art nearly forgotten today and rarely practiced.

Boiar is:

João Ricardo - Synthesizers, guitar, drums, laptop and fx (i.e. small toys difficult to specify);
João Santos - Acoustic bass, electric bass, traps, concertina, hornpipe, synthesized flute, laptop and fx;
José Soares - Keyboards, synthesizers, guitars, drums, cello, anything at hand, laptop and fx;
Paulo Santos - Voice, acoustic and electric guitar, keys, trumpet, percussion, laptop on/off.

Available in AIFF format.

quinta-feira, 6 de março de 2014

EdP Sampler V

This is the 5th EdP sampler, celebrating free culture from around the globe! Give it a proper listen and don't forget the previous samplers; great music selection in those too! Cover art by shutupandance

EdP Sampler V by Ocp And/Or Edp on Mixcloud

sábado, 14 de dezembro de 2013

[EdP064] Fire To The Stars - Keep You Safe / Wholesale Slaughter



Available in FLAC and high resolution WAVE.

 

 "Na realidade Shoegaze não quer dizer nada, sendo apenas mais um facilitismo ao abrigo do qual se podem incluir várias espécies de grupos diferentes, que em comum tenham uma parede de distorção convidativa a momentos de introspecção. Durante um período dos anos 80 e 90, assistiu-se a uma proliferação de bandas de Indie-Rock onde também poderiam caber milhares de coisas diferentes, mas que sem dúvida tiveram em comum não só o momento específico mas também a especificidade associada ao seu som. Essa marca é transportada por vários grupos até aos dias de hoje, e ainda bem porque há legados que devem prevalecer. Várias dessas bandas tinham sem dúvida afinidades quer com o Shoegaze, quer com o seu parente próximo, a Dream Pop. Mas o lugar dos rótulos é nas embalagens e o que interessa realmente é o que a música transmite, independentemente do que se escreve ou diz sobre ela. Uma banda chamada Fire To The Stars merece pelo menos uma audição atenta, quanto mais não seja para confirmar se a música cumpre aquilo que o nome parece prometer. As estrelas quando ardem tendem a fazê-lo de forma lenta, ainda que poderosa, numa espécie de momento de agressividade melancólica. Este single é composto por dois temas, e se por um lado “Keep You Safe” ergue uma barreira uterina de noise entre o ouvinte e o mundo, já “Wholesale Slaughter” proporciona uma contemplação nostálgica desse mesmo mundo, do qual nos encontramos alheados via experiência musical. Simultaneamente belo e fantasmagórico, como a pop deveria ser, esta edição não destoaria ao lado duns Swervedriver ou duns Ride. Façam favor de olhar para os sapatos e sonhar um pouco." Hugo Filipe Lopes

quinta-feira, 8 de agosto de 2013

[EdP063] RMSS Systems Inc. - Live Volume

Live Volume is a live-recorded dark ambient track compilation, specially prepared by different friend musicians. Anarytmiczny Sinus Ale Noisemalistick Silnik B: Profili was recorded in October-November, 2011, for the famous world calendar date: 11.11.11 (never before and never after). Trotskyism_titles#2 (music for film) was recorded in January, 2012. Maggie Spring Theme was recorded in February, 2012, for Margarita Alexiy-Solovyova's birthday as a sound present. Hard to Explain the Silence was recorded in April, 2012, and Insufficientia Cardialis Acuta was recorded in May-June, 2012, both as soundtracks for Ian Licht's film METER. Oil-Blooded Bird was recorded in July, 2012, for Oil-Blooded Bird album which is dedicated to Nature Rights and against technical violence.

Personel:

Alexandr Vasilyev – semi-acoustic guitar (A, T, H), special guitar applications (T, H), looper (T, H), piano drones & reverbs (H) http://www.discogs.com/artist/Alexandr+Vasilyev
Hikaru Yamada – sax (H), computer noises (H), special live noises (H) https://www.facebook.com/hikaru.yamada.777?fref=ts http://www.discogs.com/artist/Hikaru+Yamada
Humsterdrum – guitar (I) http://www.discogs.com/artist/Humsterdrum
Luci – didgeridoo (A) http://www.discogs.com/artist/Luci+%284%29
Polina Ageykina – voice (A) http://www.discogs.com/artist/Polag
RMSS Systems Inc. – bass (A, H, O), acoustic (M) & semi-acoustic (O) guitars, fuzz (O), loops & samples (A, T, M, H, I, O), record & technical supplement (A, T, M, H, I, O) http://rmsssystemsinc.bandcamp.com/ https://www.facebook.com/RMSSSI http://www.discogs.com/artist/RMSS+Systems+Inc.

domingo, 14 de julho de 2013

[EdP062] Martin Rach And The Wasteland Orchestra - The Great Grey Beast

This could very well be the soundtrack for an apocalyptic sci-fi movie. Lots of suspense and tension moments with enough elements to keep your ears and mind busy.
Dare!

quinta-feira, 23 de maio de 2013

[EdP061] N.O.F.P. - Live @ Sonoscopia

The event, held on March 15, 2013, marks the centenary of the publishing of Luigi Russolo's manifesto "L'arte dei rumori".

Recorded live @ Sonoscopia before a live audience.

N.O.F.P. is: Henrique Fernandes - intonarumori, wooden laptop, devices; Alberto Lopes - infinito, wooden laptop, intonarumori; João Martins - wooden laptop, devices; João Mascarenhas - intonarumori, percussion; João Ricardo - laptop, samples.

Available in WAVE, FLAC, OGG and MP3.