Landrecorder announces the importance of framing in his technique at the album's outset, when "Morning" begins with an acoustic guitar part on repeat, as if a needle has been set down more than once at the same place on an old piece of vinyl. A similar sense of nostalgia is infused in all three tracks, from the mournful harmonica on "Morning" to the distant chatter of children on "Afternoon," to the way the sound of a car driving past brings "Evening" (and, hence, the full set) to a close.
This compositional technique mirrors the process of memory, things combined in unlikely combinations, and in unlikely proportions: sometimes warped, sometimes laid bare. And both approaches, in Landrecorder's hands, lead to tantalizing results.
mastered by madSavVy Productions
photo by Jessica Aliaga Lavrijsen
cover design by Leonardo Rosado
(cc) by nc nd 2010
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