Mostrar mensagens com a etiqueta FREE IMPROVISED. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta FREE IMPROVISED. Mostrar todas as mensagens

sexta-feira, 10 de fevereiro de 2012

Impromeetin' 2011



[EN] Impromeeting is a meeting place for the improvisation of sound artists from different artistic disciplines as a form of collaboration, experimentation and fun. Impromeeting accommodates musicians and non-musicians, narrators, poets, electronics, sound art, djing, turntablism or any other form of creating sound and noise from the point of view of experimental music. Organised by Mauri (producer, artist and dj). First edition was in 2010 and the second edition was on 10th of july 2011 in Gijón (Spain) with 4 artists from different musical styles (were first improvising in pairs, and ended up playing all together). The artists for Impromeetin’2011 were: Non Ergo (with a computer, synthesizer, and voice). Vred (electronic violoncelo, guitar, contrabass and some footswitch). Violeta Nureyev (bass and voice). Las Casi Casiotone (with 2 MacBook Pro, Midi controller, delay footswitch and microphone).

[PT] Impromeeting é um local de improvisação de artistas sonoros de diferentes disciplinas artisticas como uma forma de colaboração, experimentação e divertimento. Impromeeting junta musicos e não-musicos, narradores, poetas, electronicas, sound art, djing, turntablism ou qualquer outra forma de criação sonora ou noise do ponto de vista de musica experimental. Organizado por Mauri (produtor, artista e dj). Primeira edição foi em 2010 e a segunda no dia 10 de Julho de 2011 em Gijón (Espanha) com 4 artistas de diferentes estilos musicais (primeiro a improvisar em pares, depois a tocarem todos juntos). Or artistas participatnes no Impromeeting'2011 foram: Non Ergo (com computador, sintetizador, e voz). Vred (violencelo electronico, guitarra, contrabaixo e alguns pedais). Violeta Nureyev (baixo e voz). Las Casi Casiotone (com 2 MacBook Pro, controlador Midi, pedal de delay e microfone).



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domingo, 25 de outubro de 2009

[xs-68] karlheinz essl and matthew ostrowski - flechtwerk

On May 5th 2009, Austrian composer Karlheinz Essl and New York-based sound artist Matthew Ostrowski met for a free improvisation concert at ISSUE Project Room in Brooklyn, NY. Although it had been 8 years since their last performance as a duo, the show turned out to be very powerful, each performer complementing the other in ways neither had anticipated. They were so excited about the results of this almost chance encounter that they decided to make the recording available to the world.
This album is dedicated to the memory of Suzanne Fiol (1960-2009), founder of Issue Project Room.

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terça-feira, 25 de agosto de 2009

[xs-65] DNP X-Citer - algorrithmic chaos

artist: DNP X-Citer
album: algorrithmic chaos

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release date: 25/08/2009
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contact:
myspace

When Tiago Morgado idealized Algorrithmic Chaos for his DNP X-Citer alter ego he thought of a way to break, in a certain way, with the IDM tradition, following some of the guidelines defined by Scanner the german musician (in the sense of not confining IDM to reductionist formulas). The background for this DNP X-Citer ep is Tiago's influences and reverence to artists such as Aphex Twin, Autechre (warp records), Alva Noto, Ryochi Ikeda and Byetone (raster noton) but also Nine Inch Nails and his approach to industrial rock that Einsturzende Neubauten, Throbbing Gristle and etc... brought to music. All this influences can be identified in the electronic part of the DNP X-Citer ep which serves as the basis for an improvised "free/structured" with alto viola. Again in this improvisation several references can be found, such as, Ornette Coleman, Sun Ra, Pharaoh Sunders, Frank Zappa, John Zorn, Otomo Yoshihide, Fred Frith, Evan Parker, among others.

The electronic part of the ep was worked with the use of algorithmic composition techniques, where instruments in the DAW (digital audio workstation/sequenciador) were triggered by MIDI, according to simple theoretical and systematized assumptions from the AC Toolbox (designed by Paul Berg from the Sound Institute of Haia). tiago morgado as been working with these tool because he believes that it can be helpful in his work with algorithmic composition.

Algorrithmic Chaos is a technical work, without an a priori conceptual background, but when Tiago Morgado analyzed it a posteriori an organized chaos appeared. And based on that, using contemplation maybe you the listener can identify a theme for this ep.

segunda-feira, 17 de agosto de 2009

[xs-64] ziur - granular world

In the year that we celebrate 40 years upon the arrival of men at the moon, and so many scientific discoveries, and so many lab discoverers and adventurers I present you a composer – Ziur. His passion for the discovery and study of the unknown leads us to the essence of sound, of its granular essence, presenting us another meaning, invisible to the naked ear. And like a stone is a stone on earth or on the moon, sound will always be sound whether savage or trained by Ziur.
Leonardo Rosado (xs records curator)

André Ruiz is a composer and professor at the Braga’s Conservatório Calouste Gulbenkian and he is also known in the electronic music as Ziur. He released is work concrétement at xs records [pt netlabel] in which he explored the digital media and the paradigm of composition initiated by Pièrre Schaeffer or Pièrre Henry. Ziur as been working in a series of initiatives and collaborative projects using the icompositions platform. Granular World he presents us with a series of experiments that take us to the granular synthesis domain, using the ixiquarks software developed by Italian softwarehouse ixisoftware developed with supercollider (this software is freeware and opensource). This music is as a performance component based upon the mentioned software which was refined a posteriori.
Tiago Morgado (xs records curator)

“Granular World” is an album conceived from inumerous experiences made by André Ruiz aka Ziur (the composer) using granular synthesis processes. All compositions were made in real time, i.e., all transformation processes and progressive developments were done and recorded in real time, which excludes it’s exact remake. Starting from simple recorded sounds (crystal glasses, tam tam’s, piano chords, etc.) it was possible to create diversified and individual compositions, which can suggest the listener several environments.
André Ruiz (composer)


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release date: 16/08/2009contact: myspace
cover art: back and front